NewOlde.com
Promoting Historically-Inspired Performances of Early Music and Baroque Opera

            Advanced Search

Site Map

Home Page

Directory of Composers

Handel Operas

Handel Oratorios

Vivaldi Operas

Early Music Links

Reviews

Awards

Early Music Festivals

Early Music Performer Discographies

New Books on Early Music

Charpentier Discography

Upcoming Performances with HIP Staging

Early Music Mailing List Archives

About

Contact

New and Forthcoming Books on Early & Baroque Music

Archives: 2002 | 2003 | 2004 | 2005 | 2006 | 2007 | 2008

2009 & Future

Thomas McGeary. The Politics of Opera in Handel's England. Details. Cambridge University Press, April 2013. 418 pages. US | UK | FR | DE | CA | JP
Sarah McCleave. Dance in Handel's London Operas. Details. University of Rochester Press, February 2013. 280 pages. US | UK | FR | DE | CA | JP
Suzanne Aspden. The Rival Sirens: Performance and Identity on Handel's Operatic Stage. Details. Cambridge University Press, April 2013. 304 pages. US | UK | FR | DE | CA | JP
Donald Burrows, Helen Coffey, John Greenacombe & Anthony Hicks (eds). G.F. Handel: The Collected Documents. 5 volumes. Details.
Volume 1: 1609-1725
. Details. Cambridge University Press (September 2013). 750 pages. US | UK | FR | DE | CA | JP
Volume 2: 1725-1734. Details. Cambridge University Press (November 2013). 750 pages. US | UK | FR | DE | CA | JP
Annette Landgraf & David Vickers (eds). The Cambridge Handel Encyclopedia. Details. Cambridge University Press (December 2009). 860 pages. US | UK | FR | DE | CA | JP
Paperback reprint (September 2013). Details. US | UK | FR | DE | CA | JP
Michael Maul. Barockoper in Leipzig (1693-1720). Details. Rombach Verlag, 2009. 2 volumes, 1184 pages. While most of the music was lost, a few Leipzig operas survive, as well as the recently authenticated aria collection Musicalische Rüstkammer, selections from which were recorded on the CD "Telemann and the Leipzig Opera", which includes liner notes by Michael Maul. UK | FR | DE
Jane Clark and Derek Connon. The Mirror of Human Life: Reflections on François Couperin's Pièces de Clavecin. Details. Keyword Press, 2d revised edition, 2011. 224 pages. US | UK | FR | DE | CA | JP
Virginia Scott. Women on the Stage in Early Modern France, 1540-1750. Details. Cambridge University Press 2010. 340 pages. US | UK | DE | FR | CA | JP
Patrick J. Rogers. Continuo Realization in Handel's Vocal Music. Details. University of Rochester Press 2010. 286 pages. US | UK | DE | FR | CA | JP
Preethi da Silva. The Fortepiano Writings of Streicher, Dieudonne, and the Schiedmayers: Two Manuals and a Notebook. Details. Edwin Mellon Press 2009. 613 pages. US | UK | DE | FR | CA | JP
Michael Robertson. The Courtly Consort Suite in German-Speaking Europe, 1650-1706. Details. Ashgate 2009. 298 pages. US | UK | DE | FR | CA | JP
Michael Talbot (ed.) Aspects of the Secular Cantata in Late Baroque Italy. Details. Ashgate 2009. 452 pages. US | UK | DE | FR | CA | JP
Peter Bennett. Sacred Repertories in Paris under Louis XIII. Details. Ashgate 2009. 232 pages. US | UK | DE | FR | CA | JP
Jason Stoessel (ed.) Identity and Locality in Early European Music, 1028-1740. Details. Ashgate 2009. 272 pages. US | UK | DE | FR | CA | JP
Shirley Thompson (ed.) New Perspectives on Marc-Antoine Charpentier. Details. Ashgate 2010. 360 pages. US | UK | DE | FR | CA | JP
Mark Ellis. A Chord in Time: The Evolution of the Augmented Sixth from Monteverdi to Mahler. Ashgate 2010. 260 pages. US | UK | DE | FR | CA | JP
Timothy R. McKinney. Adrian Willaert and the Theory of Interval Affect: The Musica Nova Madrigals and the Novel Theories of Zarlino and Vicentino. Ashgate 2010. 330 pages. US | UK | FR | DE | CA | JP
Michael Talbot (ed.) Vivaldi. Details. Ashgate, December 2010. c.500 pages. Consists of 22 articles on Vivaldi from the last 30 years. ISBN 978-0-7546-2884-2.
John A. Rice. Mozart on the Stage: An Introduction. Cambridge University Press 2009. 294 pages. US | UK | FR | DE | CA | JP
Anthony R. DelDonna & Pierpaolo Polzonetti (eds.) The Cambridge Companion to Eighteenth-Century Opera. Cambridge University Press 2009. 342 pages. US | UK | FR | DE | CA | JP
Caryl Clark. Haydn's Jews: Representation and Reception on the Operatic Stage. Cambridge University Press 2009. 262 pages. US | UK | FR | DE | CA | JP
David Hiley. Gregorian Chant. Cambridge University Press 2009. 270 pages. US | UK | FR | DE | CA | JP
John Butt. Bach's Dialogue with Modernity: Perspectives on the Passions. Cambridge University Press 2010. 330 pages. US | UK | FR | DE | CA | JP
Sabine Ehrmann-Herfort & Matthias Schnettger (eds.) Georg Friederich Händel in Rom. Details of the conference (pdf). Analecta Musicolgica Band 44 (April 2010). 388 pages. DE
Roland Dieter Schmidt-Hensel. "La musica è del Signor Hasse detto il Sassone..." -- Johann Adolf Hasse: 'Opere serie' der Jahre 1730 bis 1745. V&R Unipress, December 2009. "Between 1721 and 1771 Hasse composed over 50 opere serie; he also revised several of these operas more or less thoroughly for later performances. This volume focuses on 25 operas from the years 1730 to 1745. The first part recapitulates the life of the composer, in particular with a view to his career as an opera composer. It also sheds light on the source material and various facets of a widespread phenomenon in the 18th century of pre-existing material being used to revise operas or compose new ones. The author also examines the alterations made to Hasse's operas for later performances without his involvement. The second part of the book provides a comprehensive documentation of the works, the source material and verifiable performances in the 18th century."
Vol. I. Details. 475 pages. DE
Vol. II. Details. 775 pages. DE
Daniel E. Freeman. Josef Mysliveček, "Il Boemo" -- The Man and his Music. Harmonie Park Press 2009. Details. 443 pages. Despite a composing career of only eighteen years, Mysliveček produced a large and diverse body of work: twenty-seven operas, eight oratorios, many shorter vocal compositions, about fifty symphonies, twenty-nine overtures, sixteen concertos, and one hundred thirty-four instrumental chamber works. Prodigious, successful, and resourceful, he lived most of his adult life as an itinerant composer in Italy, uninterested in employment at any aristocratic or ecclesiastical musical establishment.. US | UK | FR | DE | CA | JP
Manuel Gervink & Steffen Voss. Das Händel-Handbuch 6 - Das Händel-Lexikon. Laaber-Verlag, forthcoming. 800 pages. Details. DE
Michael Zywietz & Greta Haenen. Das Händel-Handbuch 3 - Oratorien, Oden & Serenaten. Laaber-Verlag 2010. 600 pages. DE
Hans Joachim Marx & Michele Calella. Das Händel-Handbuch 4 - Kirchenmusik & vokale Kammermusik. Laaber-Verlag 2009. 600 pages. DE
Arnold Jacobshagen & Panja Mücke. Das Händel-Handbuch 2 - Händels Opern. Laaber-Verlag, April 2009. 2 volumes, 966 pages. Details. Covers all the operas, pasticcios, fragments, theatre music and secular dramas. DE
Hans Joachim Marx & Michele Calella. Das Händel-Handbuch 1 - Händel und seine Zeitgenossen. Eine biographische Enzyklopädie. Laaber-Verlag 2008. Details. 2 volumes, 1125 pages. DE
Siegbert Rampe. Das Händel-Handbuch 5 - Händels Instrumentalmusik. Laaber-Verlag 2009. 618 pages. Details. DE
Reinmar Emans & Wolfgang Sandberger. Das Bach-Handbuch 7 - Bachs Welt. Bilder - Texte - Dokumente. Laaber-Verlag, forthcoming. 600 pages. Details. DE
Reinmar Emans & Sven Hiemke. Das Bach-Handbuch 1 - Bachs Kantaten. Laaber-Verlag, forthcoming. 750 pages. Details. DE
Reinmar Emans & Sven Hiemke. Das Bach-Handbuch 2 - Bachs lateinische Kirchenmusik. Laaber-Verlag, 2009. 417 pages. Details. DE
Reinmar Emans & Sven Hiemke. Das Bach-Handbuch 3 - Bachs Passionen, Oratorien und Motetten. Laaber-Verlag, 2009. 506 pages. Details. DE
Siegbert Rampe. Das Bach-Handbuch 4 - Bachs Klavier- und Orgelwerke. Laaber-Verlag, 2009. 2 volumes, 1127 pages. Details. DE
Dominik Sackmann. Das Bach-Handbuch 5 - Bachs Kammermusik und Orchesterwerke. Laaber-Verlag, forthcoming. 620 pages. Details. DE
Dominik Sackmann. Das Bach-Handbuch 6 - Bach-Lexikon. Laaber-Verlag, 2d revised edition, forthcoming. 624 pages. Details.
Armin Raab, Christine Siegert & Wolfram Steinbeck. Das Haydn-Lexikon. Laaber-Verlag, forthcoming. 800 pages. Details. DE
William Brooks. Philippe Quinault, Dramatist. Peter Lang Publishing 2009. 512 pages. US | UK | FR | DE | CA | JP
Annette Landgraf & David Vickers (eds). The Cambridge Handel Encyclopedia. Cambridge University Press 2009. 750 pages. US | UK | FR | DE | CA | JP
Donald Burrows, Anthony Hicks, Helen Green & Terrence Best (eds). G.F. Handel: The Collected Documents. In preparation. Details.
Wisdom and Beauty: The Great Organs of Zacharias Hildebrandt. The Constellation Center, Cambrdge, MA. c.100 pages + DVD. In preparation. Details.
Simon O'Keefe (ed.) The Cambridge History of Eighteenth-Century Music. Details. Cambridge University Press (September 2009). 832 pages. US | UK | DE | FR | CA | JP
Robert C. Ketterer. Ancient Rome in Early Opera. Details. University of Illinois Press 2009. 272 pages. US | UK | FR | DE | CA | JP
Cliff Eisen. Wolfgang Amadeus Mozart. Routledge 2010. 352 pages. US | UK | FR | DE | CA | JP
Roger Freitas. Portrait of a Castrato: Politics, Patronage and Music in the Life of Atto Melani. Cambridge University Press 2009. 448 pages. US | UK | FR | DE | CA | JP
Giuseppe Gerbino. Music and the Myth of Arcadia in Renaissance Italy. Cambridge University Press 2009. 456 pages. US | UK | FR | DE | CA | JP
Darryl Martin, Jenny Nix & Lance Whitehead. Aspects of Harpsichord Making in the British Isles. Details. Pendragon Press 2010. US | UK | FR | DE | CA | JP
Richard King (ed.) Handel Studies - A Gedenkshrift for Howard Serwer. Details. Pendragon Press 2009. Includes an article by Winton Dean about Handel's Jupiter in Argos and an outstanding article by Donald Burrows on continuo instruments in Handel oratorios. US | UK | FR | DE | CA | JP
Ian Harwood. Sweet Broken Music: the Elizabethan and Jacobean Consort Lesson. Ashgate. Forthcoming. US | UK | DE | FR | CA | JP
Reinhard Strohm & Ruth Hacohen. The Classicist Ideology: Music and Culture of the 17th and 18th Centuries. Ashgate. Forthcoming. US | UK | DE | FR | CA | JP
Garrett H. Bowles. Thematic Catalogue of the Works of Marin Marais (1656-1728): With an appendix of the works of Roland Marais (c.1680-c.1750). Rowman & Littlefield. Forthcoming. US | UK | DE | CA | FR | JP
Bin Ebisawa & Cornelia Colyer (eds.) Proceedings of the 1991 International Mozart Symposium. 505 pages. Pendragon Press, forthcoming. US | UK | DE | FR | CA | JP
Jeanne Swack. Composition and Performance in the Music of Telemann. Details. Cambridge University Press 2010. US | UK | DE | FR | CA | JP
David Grayson. A Performance History of Mozart's Piano Concertos. Details. Cambridge University Press, forthcoming. US | UK | DE | FR | CA | JP
Cliff Eisen. Leopold Mozart Werkverzeichnis. c. 100 pages. Wißner-Verlag. Forthcoming.
Yo Tomita & Richard Rastall. The Genesis and Early History of Bach's Well-tempered Clavier, Book II: a composer and his editions c.1738-1850. 2 volumes. Forthcoming. Ashgate.
Vol. 1. US | UK | FR | DE | CA | JP
Vol. 2. US | UK | FR | DE | CA | JP
Graham Sadler. The Operas of Jean-Philippe Rameau. Cambridge University Press. Forthcoming. ISBN: 0521227739?
Bruce Wood & Andrew Pinnock. The Operas of Henry Purcell. Cambridge University Press. Forthcoming. ISBN: 052145171X?
David Kimbell. The Operas of Handel: An Introduction. Cambridge University Press. Forthcoming. ISBN: 0521521602?
Martin Adams (ed.) The Cambridge Companion to Early Opera, 1600-1750. Cambridge University Press. Forthcoming. ISBN: 0521530466.
Albert Fuller. French Harpsichord Music. Cambridge University Press. Forthcoming. ISBN: 0521247896?
David Charlton. French Opera under the Revolution. Details. Cambridge University Press. Forthcoming. ISBN: 0521241588.
Thomas Bauman (ed.) The Cambridge History of Opera: Volume I, 1600-1800. Details. Cambridge University Press. Forthcoming. ISBN: 052159331X.
Hiroyuki Minamino. Renaissance Lute Music. Details. Cambridge University Press. Forthcoming. ISBN: 0521405009.
Mathew Dirst. Bach as Musical Icon: Reception and Significance to 1850. Details. Cambridge University Press. Forthcoming. ISBN: 0521651603.
Alejandro Planchart. Guillaume Dufay. Details. Cambridge University Press. Forthcoming. ISBN: 0521235308.
John Whenham. Italian Chamber Cantata Anthology. Details. Cambridge University Press. Forthcoming. ISBN: 0521241626.
John Kmetz. Music, Memory and Performance in the Renaissance. Details. Cambridge University Press. Forthcoming. ISBN: 0521623812.
Reinhard Strohm. Musical Writings in the Middle Ages. Details. Cambridge University Press. Forthcoming. ISBN: 0521416612.
Cliff Eisen. Mozart: The String Quartets. Details. Cambridge University Press. Forthcoming. ISBN: 0521458110.
Margaret Boyer Owens. Musical Subjects - 15th Century France. Cambridge University Press. Forthcoming. ISBN: 0521392861.
Kenneth Slowik. J.S. Bach: St. John Passion. Cambridge University Press. Forthcoming. ISBN: 0521639735.
Glyn Jenkins. Piano Technique and Interpretation before 1830. Cambridge University Press, forthcoming. ISBN: 0521232783.
Ignace Bossuyt. The Christmas Oratorio of Johann Sebastian Bach. Published in Dutch in 2002. An English edition is forthcoming. Bach Bibliography review.
Ray Erickson (ed.) Aston Magna Bach Book. Yale University Press.
Robin A. Leaver & Renate Steiger (eds.) "Sound" Theology: Studies in Bach's Liturgical Music. Scarecrow Press.
Gordon J. Callon. William Lawes: Thematic Index of the Vocal Music. In progress.
Tula Giannini. The Flute in France, 1625-1860: New documents and perspectives. Scarecrow Press. Forthcoming.
Patricia Howard. A Voice for Orpheus. About Gluck's singers. Forthcoming.
John Koster. In the Matrix of Art and Technology: Early Netherlandish Harpsichord Making from Its Origins to 1600. Forthcoming.
Kurt Markstrom. The Life and Works of Nicolà Porpora. Forthcoming.
Linda Sayce. The Archlute and Theorbo: A repertory guide. Forthcoming. Scarecrow Press.
Linda Sayce. The Archlute and Theorbo: Their Origins, Development and Usage. Forthcoming. Scarecrow Press.

Bach Bibliography - New and Forthcoming Publications

www.newolde.com/books_new.htm


Copyright © 2002-2013 John Wall