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New and Forthcoming Books on Early & Baroque Music
Archives:
2002 |
2003 |
2004 |
2005 |
2006 |
2007 |
2008
2009 & Future
| Virginia Scott. Women on the Stage in Early
Modern France, 1540-1750.
Details.
Cambridge University Press 2010. 340 pages.
US |
UK |
DE |
FR |
CA |
JP |
| Patrick J. Rogers. Continuo Realization in
Handel's Vocal Music.
Details.
University of Rochester Press 2010. 286 pages.
US |
UK |
DE |
FR |
CA |
JP |
| Michael Robertson. The Courtly Consort Suite
in German-Speaking Europe, 1650-1706.
Details.
Ashgate 2009. 298 pages.
US |
UK |
DE |
FR |
CA |
JP |
| Michael Talbot (ed.) Aspects of the Secular
Cantata in Late Baroque Italy.
Details.
Ashgate 2009. 452 pages.
US |
UK |
DE |
FR |
CA |
JP |
| Peter Bennett. Sacred Repertories in Paris
under Louis XIII.
Details.
Ashgate 2009. 232 pages.
US |
UK |
DE |
FR |
CA |
JP |
| Jason Stoessel (ed.) Identity and Locality
in Early European Music, 1028-1740.
Details.
Ashgate 2009. 272 pages.
US |
UK |
DE |
FR |
CA |
JP |
| Shirley Thompson (ed.) New Perspectives on
Marc-Antoine Charpentier.
Details. Ashgate
2010. 360 pages.
US |
UK |
DE |
FR |
CA |
JP |
| Mark Ellis. A Chord in Time: The Evolution
of the Augmented Sixth from Monteverdi to Mahler. Ashgate
2010. 260 pages.
US |
UK |
DE |
FR |
CA |
JP |
| Timothy R. McKinney. Adrian Willaert and the
Theory of Interval Affect: The Musica Nova Madrigals and the
Novel Theories of Zarlino and Vicentino. Ashgate 2010. 330 pages.
US |
UK |
FR |
DE |
CA |
JP |
| Michael Talbot (ed.) Vivaldi.
Details. Ashgate,
December 2010. c.500 pages. Consists of 22 articles on Vivaldi
from the last 30 years. ISBN 978-0-7546-2884-2. |
| John A. Rice. Mozart on the Stage: An
Introduction. Cambridge University Press 2009. 294 pages.
US |
UK |
FR |
DE |
CA |
JP |
| Anthony R. DelDonna & Pierpaolo Polzonetti
(eds.) The Cambridge Companion to Eighteenth-Century Opera. Cambridge University
Press 2009. 342 pages.
US |
UK |
FR |
DE |
CA |
JP |
| Caryl Clark. Haydn's Jews: Representation
and Reception on the Operatic Stage. Cambridge University
Press 2009. 262 pages.
US |
UK |
FR |
DE |
CA |
JP |
| David Hiley. Gregorian Chant.
Cambridge University Press 2009. 270 pages.
US |
UK |
FR |
DE |
CA |
JP |
| John Butt. Bach's Dialogue with Modernity:
Perspectives on the Passions.
Cambridge University Press 2010. 330 pages.
US |
UK |
FR |
DE |
CA |
JP |
| Sabine Ehrmann-Herfort & Matthias Schnettger
(eds.) Georg Friederich Händel in Rom.
Details of the conference (pdf). Analecta Musicolgica Band
44 (April 2010). 388 pages.
DE |
Roland Dieter Schmidt-Hensel. "La musica è
del Signor Hasse detto il Sassone..." -- Johann Adolf Hasse:
'Opere serie' der Jahre 1730 bis 1745. V&R Unipress,
December 2009. "Between 1721 and 1771 Hasse composed over 50
opere serie; he also revised several of these operas more or
less thoroughly for later performances. This volume focuses on
25 operas from the years 1730 to 1745. The first part
recapitulates the life of the composer, in particular with a
view to his career as an opera composer. It also sheds light on
the source material and various facets of a widespread
phenomenon in the 18th century of pre-existing material being
used to revise operas or compose new ones. The author also
examines the alterations made to Hasse's operas for later
performances without his involvement. The second part of the
book provides a comprehensive documentation of the works, the
source material and verifiable performances in the 18th
century."
Vol. I.
Details. 475 pages.
DE
Vol. II.
Details. 775 pages.
DE |
| Daniel E. Freeman. Josef Mysliveček, "Il
Boemo" -- The Man and his Music. Harmonie Park Press 2009.
Details.
443 pages. Despite a composing career of only eighteen years,
Mysliveček produced a large and diverse body of work:
twenty-seven operas, eight oratorios, many shorter vocal
compositions, about fifty symphonies, twenty-nine overtures,
sixteen concertos, and one hundred thirty-four instrumental
chamber works. Prodigious, successful, and resourceful, he lived
most of his adult life as an itinerant composer in Italy,
uninterested in employment at any aristocratic or ecclesiastical
musical establishment..
US |
UK |
FR |
DE |
CA |
JP |
| Manuel Gervink & Steffen Voss. Das
Händel-Handbuch 6 - Das Händel-Lexikon.
Laaber-Verlag, forthcoming. 800 pages.
Details.
DE |
| Michael Zywietz & Greta Haenen. Das
Händel-Handbuch 3 - Oratorien, Oden & Serenaten.
Laaber-Verlag 2010. 600 pages.
DE |
| Hans Joachim Marx & Michele Calella. Das
Händel-Handbuch 4 - Kirchenmusik & vokale Kammermusik.
Laaber-Verlag 2009. 600 pages.
DE |
| Arnold Jacobshagen & Panja Mücke. Das
Händel-Handbuch 2 - Händels Opern.
Laaber-Verlag, April 2009. 2 volumes, 966 pages.
Details. Covers all the operas, pasticcios, fragments,
theatre music and secular dramas.
DE |
| Hans Joachim Marx & Michele Calella. Das
Händel-Handbuch 1 - Händel und seine Zeitgenossen. Eine
biographische Enzyklopädie.
Laaber-Verlag 2008.
Details. 2 volumes, 1125 pages.
DE |
| Siegbert Rampe. Das Händel-Handbuch 5 - Händels Instrumentalmusik.
Laaber-Verlag 2009. 618 pages.
Details.
DE |
| Reinmar Emans & Wolfgang Sandberger. Das
Bach-Handbuch 7 - Bachs Welt. Bilder - Texte - Dokumente.
Laaber-Verlag, forthcoming. 600 pages.
Details.
DE |
| Reinmar Emans & Sven Hiemke. Das
Bach-Handbuch 1 - Bachs Kantaten.
Laaber-Verlag, forthcoming. 750 pages.
Details.
DE |
| Reinmar Emans & Sven Hiemke. Das
Bach-Handbuch 2 - Bachs lateinische Kirchenmusik.
Laaber-Verlag, 2009. 417 pages.
Details.
DE |
| Reinmar Emans & Sven Hiemke. Das
Bach-Handbuch 3 - Bachs Passionen, Oratorien und Motetten.
Laaber-Verlag, 2009. 506 pages.
Details.
DE |
| Siegbert Rampe. Das
Bach-Handbuch 4 - Bachs Klavier- und Orgelwerke.
Laaber-Verlag, 2009. 2 volumes, 1127 pages.
Details.
DE |
| Dominik Sackmann. Das
Bach-Handbuch 5 - Bachs Kammermusik und Orchesterwerke.
Laaber-Verlag, forthcoming. 620 pages.
Details.
DE |
| Dominik Sackmann. Das
Bach-Handbuch 6 - Bach-Lexikon.
Laaber-Verlag, 2d revised edition, forthcoming. 624 pages.
Details.
|
| Armin Raab, Christine Siegert & Wolfram
Steinbeck. Das Haydn-Lexikon.
Laaber-Verlag, forthcoming. 800 pages.
Details.
DE |
| William Brooks. Philippe Quinault, Dramatist.
Peter Lang Publishing 2009. 512 pages.
US |
UK |
FR |
DE |
CA |
JP |
| Annette Landgraf & David Vickers (eds). The
Cambridge Handel Encyclopedia. Cambridge University Press 2009.
750 pages.
US |
UK |
FR |
DE |
CA |
JP |
| Donald Burrows, Anthony Hicks, Helen Green &
Terrence Best (eds). G.F. Handel: The Collected Documents.
In preparation.
Details. |
| Simon O'Keefe (ed.) The Cambridge History of
Eighteenth-Century Music.
Details. Cambridge University Press (September 2009). 832
pages.
US |
UK |
DE |
FR |
CA |
JP |
| Robert C. Ketterer. Ancient Rome in Early
Opera.
Details. University of Illinois Press 2009. 272 pages.
US |
UK |
FR |
DE |
CA |
JP |
| Cliff Eisen. Wolfgang Amadeus Mozart.
Routledge 2010. 352 pages.
US |
UK |
FR |
DE |
CA |
JP |
| Roger Freitas. Portrait of a Castrato:
Politics, Patronage and Music in the Life of Atto Melani.
Cambridge University Press 2009. 448 pages.
US |
UK |
FR |
DE |
CA |
JP |
| Giuseppe Gerbino. Music and the Myth of
Arcadia in Renaissance Italy. Cambridge University Press
2009. 456 pages.
US |
UK |
FR |
DE |
CA |
JP |
| Darryl Martin, Jenny Nix & Lance Whitehead.
Aspects of Harpsichord Making in the British Isles.
Details. Pendragon Press 2010.
US |
UK |
FR |
DE |
CA |
JP |
| Richard King (ed.) Handel Studies - A
Gedenkshrift for Howard Serwer.
Details. Pendragon Press 2009. Includes an article by Winton
Dean about Handel's Jupiter in Argos and an
outstanding article by Donald Burrows on continuo instruments in
Handel oratorios.
US |
UK |
FR |
DE |
CA |
JP |
| Ian Harwood. Sweet Broken Music: the
Elizabethan and Jacobean Consort Lesson. Ashgate.
Forthcoming.
US |
UK |
DE |
FR |
CA |
JP |
| Reinhard Strohm & Ruth Hacohen. The
Classicist Ideology: Music and Culture of the 17th and 18th
Centuries. Ashgate. Forthcoming.
US |
UK |
DE |
FR |
CA |
JP |
| Garrett H. Bowles. Thematic Catalogue of the
Works of Marin Marais (1656-1728): With an appendix of the works
of Roland Marais (c.1680-c.1750). Rowman & Littlefield.
Forthcoming.
US |
UK |
DE |
CA |
FR |
JP |
| Bin Ebisawa & Cornelia Colyer (eds.)
Proceedings of the 1991 International Mozart Symposium. 505
pages. Pendragon Press, forthcoming.
US |
UK |
DE |
FR |
CA |
JP |
| Jeanne Swack. Composition and Performance in
the Music of Telemann.
Details. Cambridge University Press 2010.
US |
UK |
DE |
FR |
CA |
JP |
| David Grayson. A Performance History of
Mozart's Piano Concertos.
Details. Cambridge University Press, forthcoming.
US |
UK |
DE |
FR |
CA |
JP |
| Cliff Eisen. Leopold Mozart Werkverzeichnis.
c. 100 pages.
Wißner-Verlag. Forthcoming. |
Yo Tomita & Richard Rastall. The Genesis and
Early History of Bach's Well-tempered Clavier, Book II: a
composer and his editions c.1738-1850. 2 volumes.
Forthcoming. Ashgate.
Vol. 1.
US |
UK |
FR |
DE |
CA |
JP
Vol. 2.
US |
UK |
FR |
DE |
CA |
JP |
| Graham Sadler. The Operas of Jean-Philippe
Rameau. Cambridge University Press.
Forthcoming. ISBN: 0521227739? |
| Bruce Wood & Andrew Pinnock. The Operas of
Henry Purcell. Cambridge University Press. Forthcoming.
ISBN: 052145171X? |
| David Kimbell. The Operas of Handel: An
Introduction. Cambridge University Press. Forthcoming. ISBN:
0521521602? |
| Martin Adams (ed.) The Cambridge Companion
to Early Opera, 1600-1750. Cambridge University Press.
Forthcoming. ISBN: 0521530466. |
| Albert Fuller. French Harpsichord Music.
Cambridge University Press. Forthcoming. ISBN: 0521247896? |
| David Charlton. French Opera under the
Revolution.
Details. Cambridge University Press. Forthcoming. ISBN: 0521241588. |
| Thomas Bauman (ed.) The Cambridge History of
Opera: Volume I, 1600-1800.
Details. Cambridge University Press. Forthcoming. ISBN: 052159331X. |
| Hiroyuki Minamino. Renaissance Lute Music.
Details. Cambridge University Press. Forthcoming. ISBN: 0521405009. |
| Mathew Dirst. Bach as Musical Icon:
Reception and Significance to 1850.
Details. Cambridge University Press. Forthcoming. ISBN: 0521651603. |
| Alejandro Planchart. Guillaume Dufay.
Details. Cambridge University Press. Forthcoming. ISBN: 0521235308. |
| John Whenham. Italian Chamber Cantata
Anthology.
Details. Cambridge University Press. Forthcoming. ISBN: 0521241626. |
| John Kmetz. Music, Memory and Performance in
the Renaissance.
Details. Cambridge University Press. Forthcoming. ISBN: 0521623812. |
| Reinhard Strohm. Musical Writings in the
Middle Ages.
Details. Cambridge University Press. Forthcoming. ISBN: 0521416612. |
| Cliff Eisen. Mozart: The String Quartets.
Details. Cambridge University Press. Forthcoming. ISBN: 0521458110. |
| Margaret Boyer Owens. Musical Subjects -
15th Century France. Cambridge University Press.
Forthcoming. ISBN: 0521392861. |
| Kenneth Slowik. J.S. Bach: St. John Passion.
Cambridge University Press. Forthcoming. ISBN: 0521639735. |
| Glyn Jenkins. Piano Technique and
Interpretation before 1830. Cambridge University Press,
forthcoming. ISBN: 0521232783. |
| Ignace Bossuyt. The Christmas Oratorio of
Johann Sebastian Bach. Published in Dutch in 2002. An
English edition is forthcoming.
Bach Bibliography review. |
| Ray Erickson (ed.) Aston Magna Bach Book.
Yale University Press. |
| Robin A. Leaver & Renate Steiger (eds.)
"Sound" Theology: Studies in Bach's Liturgical Music.
Scarecrow Press. |
|
Gordon J.
Callon. William Lawes: Thematic Index of the Vocal Music.
In progress. |
|
Tula Giannini. The Flute in France, 1625-1860: New
documents and perspectives. Scarecrow Press. Forthcoming. |
|
Patricia
Howard. A Voice for Orpheus. About Gluck's singers.
Forthcoming. |
| John Koster. In the Matrix of Art and
Technology: Early Netherlandish Harpsichord Making from Its
Origins to 1600. Forthcoming. |
| Kurt Markstrom. The Life and Works of Nicolà
Porpora. Forthcoming. |
| Linda Sayce. The Archlute and Theorbo: A
repertory guide. Forthcoming. Scarecrow Press. |
| Linda Sayce. The Archlute and Theorbo: Their
Origins, Development and Usage. Forthcoming. Scarecrow
Press. |
Bach
Bibliography - New and Forthcoming Publications
www.newolde.com/books_new.htm
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