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GF Handel » Handel Oratorios
Oratorios by George Frideric Handel
(Georg Friedrich Händel)
Following is a chronological list of the best available commercial recordings
of Handel's oratorios, serenatas, anthems and masques, with links to Amazon
listings, reviews, and record companies.
Mozart's
reorchestrations of Acis & Galatea, the Ode for St. Cecilia's
Day, Alexander's Feast and Messiah are on a separate page. For
European off-the-air recordings, some of which are superior to any available
commercial recordings of certain works, see the Handel listings by the
Classical Music
and Opera Exchange. See my ongoing review of
The Story of "A" by Bruce
Haynes for the author's conclusions about the performance pitch of Handel's
oratorios. Similar NewOlde.com pages:
Handel operas |
Handel pasticci |
Handel cantatas.
Early Music's Dramatic Significance in Handel's Saul, by Ruth Smith. Early
Music 35(2): 173-190 (2007).
Recordings
| Handel. Carmelite Vespers. Second
Vespers of the Feast of Our Lady of Mount Carmel. Dixit Dominus
(HWV 232), Laudate Pueri (HWV 237), Te Decus Virgineum (HWV
243), Nisi Dominus (HWV 238), Haec est Regina Virginum (HWV
235), Saeviat Tellus (HWV 240) & Salve Regina (HWV 241) - Rome,
1707. EMI CDS 7 49749 2 (2 CDs 1989), reissued as Virgin VBD
5615792. Andrew Parrott, Taverner Players & Choir. Jill Feldman,
Emma Kirkby, Emily Van Evera, Margaret Cable, Mary Nichols,
Joseph Cornwell, David Thomas. Superb production. The booklet in
the original edition could be used as an eye chart to test the
ability to read extremely small print.
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| Handel. Dixit Dominus (HWV 232) - Rome,
1707 & J.S. Bach, Magnificat. Virgin Veritas (1 CD, forthcoming
2007). Emmanuelle Haïm, Le Concert d'Astrée. Natalie Dessay,
soprano; Karine Deshayes, mezzo-soprano; Philippe Jaroussky,
countertenor; Laurent Naouri, baritone; Toby Spence, tenor. |
| Handel. Dixit Dominus (HWV 232), Laudate
Pueri (HWV 237), Saeviat Tellus (HWV 240) & Salve Regina (HWV
241) - Rome, 1707. DG-Archiv 459 627 (1 CD 2000). Marc
Minkowski, Les Musiciens du Louvre. Annick Massis, soprano;
Magdalena Kožená, mezzo-soprano.
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| Handel. Gloria & Dixit Dominus. BIS 1235
(2001). Gloria: Emma Kirkby, soprano. Laurence Cummings, Royal
Academy of Music Baroque Orchestra (new recording). Dixit
Dominus: Anders Öhrwall, Drottningholm Baroque Ensemble (reissue
from BIS LP-322 (1 LP 1986)). The not quite newly-discovered
Gloria plus a so-so Dixit Dominus.
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| Handel. Il Trionfo del Tempo e del
Disinganno. (HWV 46a, Rome 1707). Hyperion CDA 67681/2 (2
CDs, May 2008).
Details. Alessandro De Marchi, Academia Montis Regalis.
Bellezza: Roberta Invernizzi, soprano; Piacere: Kate Aldrich,
mezzo-soprano; Disinganno: Martín Oro, countertenor; Tempo: Jörg
Dürmüller, tenor.
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| Handel. Il Trionfo del Tempo e del
Disinganno. (HWV 46a, Rome 1707). Virgin Veritas 3634282 (2
CDs, April 2007). Emmanuelle Haïm, Le Concert d'Astrée. Bellezza:
Natalie Dessay, soprano; Piacere: Ann Hallenberg, mezzo-soprano;
Disinganno: Sonia Prina, contralto; Tempo: Pavol Breslik, tenor.
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| Handel. Il Trionfo del Tempo e del
Disinganno. (HWV 46a, Rome 1707). Opus 111 OPS 30-321/22 (2
CDs 2001). Rinaldo Alessandrini, Concerto Italiano. Bellezza:
Deborah York, soprano; Piacere: Gemma Bertagnolli,
mezzo-soprano; Disinganno: Sara Mingardo, contralto; Tempo:
Nicholas Sears, tenor. Most movements slower than Minkowski,
except for the unusual, brisk and staccato performance of the
sarabande Lascia la spina. Highly recommended.
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JP Reissued on Naïve OP 30440 in April 2007.
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| Handel. Il Trionfo del Tempo e del
Disinganno. (HWV 46a, Rome 1707). Erato 2292-45351-2 (2 CDs
1988). Marc Minkowski, Les Musiciens du Louvre. Bellezza:
Isabelle Poulenard, soprano; Piacere: Jennifer Smith, soprano;
Disinganno: Nathalie Stutzmann, contralto; Tempo: John Elwes,
tenor. Outstanding recording - highly recommended.
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| Handel. La Resurrezione. (HWV 47, Rome
1708). L'Oiseau-Lyre D256D3 (3 LPs 1982), reissued on 2 CDs as
421 132-2. Christopher Hogwood, Academy of Ancient Music.
Angelo: Emma Kirkby, Maddalena: Patrizia Kwella, Cleofe: Carolyn
Watkinson, San Giovanni: Ian Partridge, Lucifero: David Thomas.
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JP Reissued in an 8-CD box set along with Hogwood's
recordings of Messiah, Athalia and Esther
(2005).
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JP |
| Handel. La Resurrezione. (HWV 47, Rome
1708). DG-Archiv 447 767-2 (2 CDs 1996), reissued on MHS
5244953. Marc Minkowski, Les Musiciens du Louvre. Angelo: Annick
Massis, soprano; Maddalena: Jennifer Smith, soprano; Cleofe:
Linda Maguire, mezzo-soprano; San Giovanni: John Mark Ainsley,
tenor; Lucifero: Laurent Naouri, bass.
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| Handel. La Resurrezione. (HWV 47, Rome
1708).
Challenge Classics CC72120 (2 CDs 2003).
Review by David Vickers. Jan Willem de Vriend, Combattimento
Consort Amsterdam. Angelo: Nancy Argenta, soprano; Maddalena:
Maria Cristina Kiehr, soprano; Cleofe: Marijana Mijanovic,
mezzo-soprano; San Giovanni: Marcel Reijans, tenor; Lucifero:
Klaus Mertens, bass.
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| Handel. Aci, Galatea e Polifemo. (HWV
72, Rome 1708). Brilliant Classics (2 CDs, March 2008). Marco
Vitale, Contrasto Armonico. Aci: Stefanie True, soprano;
Galatea: Luciana Manchini, mezzo-soprano; Polifemo: Mitchell
Sandler, bass.
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| Handel. Aci, Galatea e Polifemo. (HWV
72, Rome 1708). Harmonia Mundi HMC 1253/54 (2 LPs) & HMC
901253/54 (2 CDs 1987), reissued as HMA 1901253/54. Charles
Medlam, London Baroque. Aci: Emma Kirkby, soprano; Galatea:
Carolyn Watkinson, contralto; Polifemo: David Thomas, bass.
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Handel. Aci, Galatea e Polifemo. (HWV
72, Rome 1708). Virgin 545 557-2 (2 copy-controlled CDs (CCCDs),
April 2003); reissued on genuine Red Book CDs as Virgin 545
580-2 (2 CDs, November 2004). Emmanuelle Haïm, Le Concert
d'Astrée. Aci: Sandrine Piau, soprano; Galatea: Sara Mingardo,
contralto; Polifemo: Laurent Naouri, bass. Like the older
recording, performed at a=415, rather than a=392, the pitch of
original performance. (See Bruce Haynes, The Story of "A".)
5455572 (2 CCCDs - not recommended):
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JP
5455802 (2 CDs):
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| Handel. Utrecht Te Deum and Jubilante. (HWV
278 & 279, London 1713). Music for St. Paul's. Hyperion CDA
67009 (1 CD 1998). Plus works of Blow and Boyce. John Scott,
Parley of Instruments. Julia Gooding, Sophie Daneman, Robin
Blaze, Rogers Covey-Crump, Mark Le Brocq, Andrew Dale Forbes.
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| Handel. Birthday Ode for Queen Anne (HWV
74, London 1713), Queen Caroline Te Deum (HWV 280, London
1714), and Sing Unto God. (HWV 263, London 1736). Music
for Royal Occasions. Hyperion CDA 66315 (1 CD 1989), reissued on
MHS 5138578. Robert King, The King's Consort. Gillian Fisher,
James Bowman, John Mark Ainsley, Michael George.
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| Handel. Birthday Ode for Queen Anne (HWV
74, London 1713) and Coronation Anthems. (HWV 258-261,
London 1727). EMI 7243 5 57140-2 (1 CD 2001).
Review by David Vickers. Stephen Cleobury, The Academy of
Ancient Music. Susan Gritton, Robin Blaze, Michael George.
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| Handel. Chandos Anthems. (HWV 246-256,
London 1717-1718). Chandos Records - Anthems 1-3: ABRD 1293 (1
LP) & CHAN 8600 (1 CD 1988); Anthems 4-6: EBRD 0504 (1 LP) &
CHAN 0504 (1 CD 1989); Anthems 7-9: EBRD 0505 (1 LP) & CHAN 0505
(1 CD 1989) & Anthems 10-11: EBRD 0509 (1 LP) & CHAN 0509 (1 CD
1989). Reissued as the Box Set CHAN 05547 (4 CDs). Also reissued
on MHS. Harry Christophers, The Sixteen. Lynne Dawson, Patrizia
Kwella, James Bowman, Ian Partridge, Michael George. Members of
The Sixteen included Paul Agnew and Mark Padmore, who went on to
highly successful solo careers.
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| Handel. Chandos Anthems. (HWV 246-256,
London 1717-1718). Anthems 7, 9 & 11. Hyperion (Recording in
June 2008). Stephen Layton, The Academy of Ancient Music. Emma
Kirkby, soprano; Iestyn Davies, countertenor; James Gilchrist,
tenor; Neal Davies, bass. |
| Handel. Esther. (HWV 50a, London 1718).
L'Oiseau-Lyre 414 423-1 (2 LPs) & 414 423-2 (2 CDs 1985).
Christopher Hogwood, The Academy of Ancient Music. Esther:
Patrizia Kwella, soprano; Ahasuerus: Anthony Rolfe-Johnson,
tenor; Mordecai: Ian Partridge, tenor; Haman: David Thomas,
bass; Israelite Woman: Emma Kirkby, soprano; 1st Israelite: Paul
Elliott, tenor; 2nd Israelite / Habdonnah / Officer: Andrew
King, tenor; Priest: Drew Minter, countertenor.
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| Handel. Esther. (HWV 50a, London 1718).
Collins Classics 70402 (2 CDs 1996), reissued on
Regis RRC 2025 and Coro COR 16019. Harry Christophers, The
Sixteen. Esther: Lynda Russell, soprano; Israeliste Woman: Nancy
Argenta, soprano; Priest of the Israelites: Michael Chance,
countertenor; Ahasuerus / 2nd Israelite: Thomas Randle, tenor;
Mordecai / 1st Israelite: Mark Padmore, tenor; Officer / 4th
Israelite: Matthew Vine; Habdonah / 3rd Israelite: Simon
Berridge; Haman: Michael George, bass. Also includes Oboe
Sonata in g (HWV 404), Anthony Robson, oboe. Regis:
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FR | Coro:
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| Handel. Acis & Galatea. (HWV 49a, London
1718). New Classical Adventure (NCA) 60183 (2 CDs, November
2007). Martin Haselböck, Musica Angelica Baroque Orchestra.
Galatea: Linda Perillo, soprano; Acis: Mark Bleeke, tenor;
William Hite, tenor; Thomas Gray, tenor; Polyphemus: Florian
Boesch, baritone.
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| Handel. Acis & Galatea. (HWV 49a, London
1718). Erato 3984-25505-2 (2 CDs 1999). William Christie, Les
Arts Florissants. Galatea: Sophie Daneman, soprano; Damon:
Patricia Petibon, soprano; Acis: Paul Agnew, tenor; Coridon:
Joseph Cornwell, tenor; Polyphemus: Alan Ewing, bass. Chorus:
Andrew Sinclair, François Piolino, David Le Monnier. Superb
recording of a hybrid version with a few later additions, such
as the soprano Damon, choral reprise of "Happy We", and
additional chorus members, plus some typical Christie
reorchestration, doubling violins with alto recorders. See
Dean's Oratorio book for details about the fascinating but odd
evolution of Acis & Galatea under Handel and in the
following century.
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| Handel. Acis & Galatea. (HWV 49a, London
1718). DG-Archiv 2708 038 (2 LPs 1978), reissued on 423 406-2 (2
CDs 1988). John Elliot Gardiner. English Baroque Soloists.
Galatea: Norma Burrowes, soprano; Acis: Anthony Rolfe Johnson,
tenor; Damon & Coridon (solo): Martyn Hill, tenor; Polyphemus:
Willard White, tenor; Coridon (choruses): Paul Elliott, tenor.
Still a favorite despite the rough, out-of-tune playing,
squawking oboes, and weak Polyphemus.
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JP Reissued on 474 225-2 (2003):
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| Handel. Acis & Galatea. (HWV 49a, London
1718). Hyperion CDA 66361/2 (2 CDs 1990). Plus "Look down
harmonious saint". Robert King, The King's Consort. Galatea:
Claron McFadden, soprano; Acis: John Mark Ainsley, tenor; Damon
& Coridon: Rogers Covey-Crump, tenor; Polyphemus: Michael
George, bass; chorus: Robert Harre-Jones, countertenor.
Presumably follows the Chrysander edition, which lumped Damon
and Coridon, despite their opposing viewpoints, and replaced the
fifth tenor with an alto.
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| Handel. Acis & Galatea. (HWV 49a, London
1718). ATMA ACD 22302 (2 CDs 2003). Eric Milnes, Les Boréades.
Galatea: Suzie LeBlanc, soprano; Acis: Mark Bleeke, tenor; Damon
& Corydon: Marc Molomot, tenor; Polyphemus: Nathaniel Watson,
bass; chorus: Josée Lalonde, mezzo-soprano.
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JP |
| Handel. Brockes Passion. (HWV 48,
Hamburg 1719). Hungaroton SLPD 12734/36 (3 LPs) & HCD 12734-36-2
(3 CDs 1986). Reissued on Brilliant Classics with the spurious
Johannes-Passion (5 CDs 2003).
Details. Nicholas McGegan, Capella Savaria. Evangelist:
Martin Kleitman, Jesus: István Gáti, Daughter of Zion: Mária
Zádori; Katalin Farkas, Drew Minter, Guy de Mey, János Bándi,
Gunther Burzynski. Of the Brockes Passions I have heard thus far
(Handel, Telemann, Stölzel, Mattheson), Telemann's is most
interesting.
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| Handel. Esther. (Second version, HWV
50b, London 1732). Somm 238/9 (2 CDs, November 2007).
2002 London Handel Festival Production. Laurence Cummings,
London Handel Orchestra. Esther: Rosemary Joshua, soprano;
Mordecai: Susan Bickley, mezzo-soprano; Hamon: Christopher
Purves, bass; Ahasuerus: James Bowman, countertenor; Israelite
woman: Rebecca Outram, soprano.
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| Handel. Acis & Galatea. (Enlarged
English/Italian version, HWV 49b, London 1732). No commercial
recordings. The revised Italian version of "O Ruddier than the
Cherry" with new introductory recitative is on Arias for
Montagnana. David Thomas, Nicholas McGegan. Harmonia Mundi
HMU 907016 (1 CD 1990).
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JP |
| Handel. Deborah. (HWV 51, London 1733).
Hyperion CDA 66841/2 (2 CDs 1993), reissued on MHS 5264717.
Robert King, The King's Consort. Deborah: Yvonne Kenny, soprano;
Jael & Israelite Woman: Susan Gritton, soprano; Sisera:
Catherine Denley, contralto; Barak: James Bowman, countertenor;
Abinoam: Michael George, bass.
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| Handel. Athalia. (HWV 52, London 1733).
MDG 332 1276-2 (2 CDs, October 2004). Peter Neumann, Collegium
Cartusianum, Kölner Kammerchor. Athalia: Simone Kermes, soprano;
Josabeth: Olga Pasichnyk, soprano; Joas: Trine Wilsberg Lund,
soprano; Joad: Martín Oro, countertenor; Mathan: Thomas Cooley,
tenor; Abner: Wolf Matthias Friedrich, bass.
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JP |
| Handel. Athalia. (HWV 52, London 1733).
L'Oiseau-Lyre 417 126-1 (2 LPs) & 417 126-2 (2 CDs 1986).
Christopher Hogwood, The Academy of Ancient Music. Athalia: Joan
Sutherland, soprano; Josabeth: Emma Kirkby, soprano; Joas: Aled
Jones, treble; Joad: James Bowman, countertenor; Mathan: Anthony
Rolfe Johnson, tenor; Abner: David Thomas, bass.
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JP Reissued as Decca 475 207-2 (2003) in the
Gramophone Awards Collection.
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| Handel. Athalia. (HWV 52, London 1733).
Naxos 8.5543645 (2 CDs 1998). Joachim Carlos Martini. Frankfurt
Baroque Orchestra. Elisabeth Scholl, Barbara Schlick, Friederike
Hozhausen, Annette Reinhold, Markus Brutscher, Stephan MacLeod.
The good news: Joan Sutherland isn't on this recording. The bad
news: it's dull and disappointing, although it may represent
Martini's high water mark to date.
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| Handel. Parnasso in Festa. (HWV 73,
London 1734). Hyperion. Forthcoming, October 2008. Matthew
Halls, The King's Consort. Carolyn Sampson, soprano; Lucy Crowe,
soprano; Diana Moore, mezzo-soprano; Peter Harvey, bass. |
| Handel. Alexander's Feast. (HWV 75,
London 1736) & Ode for St. Cecilia's Day (HWV 76, London
1739). Carus 83.424 (2 CDs, forthcoming 2009). Peter Neumann,
Collegium Cartusianum, Kölner Kammerchor. Simone Kermes,
soprano; Benjamin Hulett, tenor; Konstantin Wolff, bass. |
| Handel. Alexander's Feast. (HWV 75,
London 1736). Collins Classics 70162 (2 CDs 1991), reissued on
MHS 525259X. Harry Christophers, The Sixteen. Nancy Argenta, Ian
Partridge, Michael George. Unreadable, tiny print in the Collins
brochure.
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DE |
CA Reissued on Coro 16028 (2005):
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| Handel. Alexander's Feast. (HWV 75,
London 1736). Dorian DSL-20604 (2 CDs, October 2007). Also J.S.
Bach, Alles mit Gott und nichts ohn' ihn (BWV 1127).
Daniel Abraham, Bach Sinfonia & Handel Choir of Baltimore.
Amanda Balestrieri, soprano; Scot Cameron, tenor; David Newman,
bass.
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DE |
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JP |
| Handel. Funeral Anthem for Queen Caroline:
The Ways of Zion do Mourn. (HWV 264, London 1737) & Queen
Caroline Te Deum (HWV 280, London 1714). cpo 999 244-2 (1 CD
1995). Wolfgang Helbich. Bremen Baroque Orchestra. Mieke van der
Sluis, Graham Pushee, Harry van Berne, Harry van der Kamp.
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JP |
| Handel. Il Trionfo del Tempo e della Verità.
(HWV 46b, London 1737). Naxos 8.554440-42 (3 CDs 2000). Joachim
Carlos Martini, Barockorchester Frankfurt. Bellezza: Claron
McFadden, soprano; Piacere: Elizabeth Scholl, soprano; Tempo:
Nicholas Hariades, countertenor; Disinganno: Peer Abilgaard,
countertenor. Lackluster performance of a mishmash edition.
"Quality doesn't have to be expensive - a philosophy that Naxos
have long promoted but seldom proved." --
David Vickers.
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| Handel. Saul. (HWV 53, London 1739). DG-Archiv
474 510-2 (3 CDs, February 2004). Reviewed by
Les Robarts. Paul McCreesh, The Gabrieli Consort and
Players. Michal: Nancy Argenta, soprano; Merab: Susan Gritton,
soprano; Jonathan: Mark Padmore, tenor; David: Andreas Scholl,
countertenor; Saul: Neal Davies, bass; High Priest and Witch of
Endor: Paul Agnew, tenor. Video of
Andreas Scholl singing "O fatal day". Video of
interview with Paul McCreesh. Outstanding performance and
recording. After listening, my only regret was that McCreesh
failed to engage Andreas Scholl for Theodora.
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| Handel. Saul. (HWV 53, London 1739).
Philips 426 265-2 (3 CDs 1991). John Elliot Gardiner, English
Baroque Soloists. Michal: Lynne Dawson, soprano; Merab: Donna
Brown, soprano; David: Derek Lee Ragin, countertenor; Jonathan:
John Mark Ainsley, tenor; High Priest: Neil Mackie, tenor; Saul:
Alastair Miles, bass; Witch of Endor: Philip Salmon; Abner &
Amalekite: Philip Slane; Samuel: Richard Savage; Doeg: Simon
Oberst. Another recommended recording of Saul. Fine
choral performances, but I generally prefer McCreesh's soloists.
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JP Reissued on Archiv "The Originals" 4758356
(February 2007):
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JP
Reissued without texts as part of a 9-CD set with Gardiner's
fine recordings of Jephtha, Solomon & Israel in
Egypt. Philips 4756897 (September 2005).
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DE |
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JP |
| Handel. Saul. (HWV 53, London 1739). MDG
332 0801-2 (3 CDs 1997). Peter Neumann, Collegium Cartusianum.
Saul: Gregory Reinhart, bass; David: Matthias Koch,
countertenor; Jonathan: John Elwes, tenor; Michal: Vasiljka
Jezovšek, soprano; Merab: Simone Kermes, soprano; High Priest /
Witch of Endor / Abner / Amalekite: Johannes Kalpers; Samuel:
Michail Schelomjanski; Doeg: Stefan Meier.
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JP |
| Handel. Saul. (HWV 53, London 1739).
Harmonia Mundi (2 CDs, August 2005).
Review by David Vickers. René Jacobs, Concerto Köln, RIAS
Kammerchor. Saul: Gidon Saks, bass; Michal: Rosemary Joshua,
soprano; David: Lawrence Zazzo, countertenor; Merab: Emma Bell,
soprano; Jonathan: Jeremy Ovenden, tenor; Doeg / Samuel: Henry
Waddington, baritone; High Priest / Witch of Endor: Finnur
Bjarnason, tenor. Handel wrote unusually detailed instructions
for the organ continuo in the score of Saul, presumably
so that a substitute organist could fill in if Handel suffered a
relapse. While most conductors would be delighted to have such
precise historical information, Jacobs completely ignores
Handel's continuo markings, adding the organ to movements where
it is supposed to be silent and changing the registration in
other movements. What Jacobs does to popular works such as
Saul and Rinaldo hardly matters, as superior
alternatives are available. Unfortunately, that's not true of
his premiere recordings, such as Scarlatti's Griselda,
which he cut mercilessly and overlaid with non-historic organ
continuo in the majority of movements. CDs:
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JP || SACDs:
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| Handel. Israel in Egypt. (HWV 54, London
1739). EMI Reflexe 54018-2 (2 CDs 1990). Reissued as Virgin VMD
5 61350-2 (1996) and as Virgin 5 62155-2 (2003). Andrew Parrott,
The Taverner Consort & Players. Nancy Argenta, Emily Van Evera,
Timothy Wilson, Anthony Rolfe Johnson, David Thomas.
Review by David Vickers. |
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JP |
| Handel. Israel in Egypt. (HWV 54, London
1739). Collins Classics 70352 (2 CDs 1993), reissued on MHS, on
Regis RRC 2012, and with omissions on 1 CD as Coro 16011.
The Coro reissue is based on Randall's 1771 scaled back edition.
(Review
by David Vickers.) Harry Christophers, The Sixteen. Nicola
Jenkin, soprano; Caroline Trevor, alto; Neil MacKenzie, tenor;
Robert Evans, bass; Simon Birchall, bass. My least favorite
Handel oratorio, not counting the Dettingen Te Deum.
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JP |
| Handel. Ode for St. Cecilia's Day (HWV
76, London 1739) & "Cecilia, vogli un sguardo" (HWV 89).
Hyperion CDA 67463 (1 CD), SACDA 67463 (1 SACD, August 2004).
Favorable review by Carlo Vitale. Robert King, The King's
Consort. Carolyn Sampson, soprano; James Gilchrist, tenor. CD:
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JP || SACD:
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| Handel. Ode for St. Cecilia's Day. (HWV
76, London 1739). Naxos 8.554752 (1 CD 2004). Reviewed by
David Vickers: "At such a cheap price, the recording is
worth buying for Mields alone." Wolfgang Helibch, Concerto
Polacco, Alsfelder Vokalensemble. Dorothee Mields, soprano; Mark
Wilde, tenor.
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JP |
| Handel. Ode for St. Cecilia's Day. (HWV
76, London 1739). DG-Archiv 419 220-1 (1 LP) & 419 220-2 (1 CD
1986). Trevor Pinnock, The English Concert. Felicity Lott,
soprano; Anthony Rolfe Johnson, tenor.
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UK |
DE |
FR |
CA |
JP Reissued on 474 549-2 (2003):
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FR |
CA |
JP |
| Handel. L'Allegro, il Penseroso, ed il
Moderato. (HWV 55, London 1740). Hyperion CDA 67283/4 (2 CDs
1999), reissued on MHS 5257261. Robert King, The King's Consort.
Lorna Anderson, Susan Gritton, Claron McFadden, Paul Agnew, Neal
Davies.
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DE |
FR |
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JP |
| Handel. L'Allegro, il Penseroso, ed il
Moderato. (HWV 55, London 1740). Naxos 8.557057/58 (2 CDs
2005). Reissue of the 2002 recording on RMM 23002, the Junge
Kantorei's private label.
Review by Les Robards: "However cheap it may be when . . .
Naxos reissues it . . ., this recording is not recommended
under any circumstances. Oh, the shame of it." Joachim Carlos
Martini, Barockorchester Frankfurt, Junge Kantorei. Linda
Perillo & Barbara Hannigan, sopranos; Knut Schoch, tenor;
Stephan MacLeod, bass.
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UK |
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JP |
| Handel. L'Allegro, il Penseroso, ed il
Moderato. (HWV 55, London 1740). Erato STU 71325 (2 LPs
1981), reissued on 2 CDs as 2292-45377-2. John Elliot Gardiner,
English Baroque Soloists. Michael Ginn (treble), Patrizia Kwella,
Marie McLaughlin, Jennifer Smith, Maldwyn Davies, Martyn Hill,
Stephen Varcoe.
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JP |
| Handel. Messiah. (HWV 56, original
Dublin version, 1742). Linn CKD 285 (2 CDs, November 2006).
Sleeve notes & downloadable studio master. John Butt,
Dunedin Consort & Players. Susan Hamilton, soprano; Annie Gill,
mezzo-soprano; Clare Wilkinson, contralto; Heather Cairncross,
contralto; Nicholas Mulroy, tenor; Matthew Brook, bass; Edward
Caswell, bass. According to Butt, the recitative version of "But
who may abide", included in an appendix on the recording, comes
from later sources and may be of doubtful authenticity. However,
the aria version of "Thou shalt break them" is in the appendix,
since the recitative version is in Smith's hand in the
conducting score. Handel had his own organ transported to
Ireland -- presumably the one in Groupy's Harmonious Boar
caricature with two manuals and two ranks of pipes.
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| Handel. Messiah. (HWV 56, 1743 version).
CBS 79336 (3 LPs 1980), reissued on 2 CDs: Sony SB2K63001.
Jean-Claude Malgoire, La Grande Écurie et La Chambre du Roy,
Worcester Cathedral Choir. Jennifer Smith, soprano; Andrew King,
treble; Charles Brett, countertenor; Martyn Hill, tenor; Ulrik
Cold, bass. Includes the pre-Guadagni bass version of "But who
may abide" with slow B section and the long version of "Why do
the nations so furiously rage together" with da capo, which may
never have been performed.
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JP |
| Handel. Messiah (HWV 56, 1750 version).
Harmonia Mundi HMC 901928/29 (2 CDs, October 2006). René Jacobs,
Freiburger Barockorchester, Choir of Clare College Cambridge.
Kerstin Avemo, soprano; Patricia Bardon, contralto; Lawrence
Zazzo, countertenor; Kobie van Rensburg, tenor; Neal Davies,
bass.
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DE |
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JP |
| Handel. Messiah. (HWV 56, 1753 version).
EMI CDS 7 49801 2 (2 CDs 1989), reissued as Virgin VMD 561 330-2
& VBD 562 042-2. Andrew Parrott, The Taverner Consort. Emma
Kirkby, Emily Van Evera, Margaret Cable, James Bowman, Joseph
Cornwell, David Thomas. Emma Kirkby sings different arias than
on the Hogwood recording, ie, the mainstream soprano arias.
Crispian Steele-Perkins plays an historic 18th Century
trumpet with original mouthpiece loaned by the Bates Collection.
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JP |
| Handel. Messiah. (HWV 56, Foundling
Hospital version, 1754). L'Oiseau-Lyre D189D3 (3 LPs 1980),
reissued on 2 CDs: 430 488-2. Christopher Hogwood, The Academy
of Ancient Music. Judith Nelson, Emma Kirkby, Carolyn Watkinson,
Paul Elliott, David Thomas. The recording that propelled Emma
Kirkby to superstar status in the U.S., singing the previously
unrecorded Passerini transpositions of the Guadagni versions of
"But who may abide" and "Thou art gone up on high". Later
recorded on video with the same cast.
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| Handel. Samson. (HWV 57, London 1743).
Carus 83.425 (3 CDs, forthcoming 2008). Nicholas McGegan,
FestspielOrchester Göttingen, NDR Chor. Sophie Daneman, soprano;
Franziska Gottwald, contralto; Samson: Thomas Cooley, tenor;
Michael Slattery, tenor; William Berger, bass; Wolf Matthias
Friedrich, bass. |
| Handel. Samson. (HWV 57, London 1743).
Collins Classics 70382 (3 CDs 1997). Harry Christophers. The
Sixteen. Dalila: Lynda Russell, Israelite Woman / Philistine
woman, Virgin: Lynne Dawson, Micah: Catherine Wyn-Rogers,
Samson: Thomas Randle, Israelite man / Philistine man: Mark
Padmore, Messenger: Matthew Vine, Manoa: Michael George, Harapha:
Jonathan Best.
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UK |
DE |
FR |
CA |
JP Reissued on Coro 16008 (2003):
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| Handel. Dettingen Te Deum (HWV 283,
London 1743) & Organ Concerto HWV 296a & Zadok the Priest.
Hyperion CDA 67679 (1 CD, June 2008).
Details. Stephen Layton, Academy of Ancient Music, Choir of
Trinity College Cambridge. Christopher Lowrey, countertenor;
Robin Firth, tenor; Neal Davies, bass. Richard Marlow, organ.
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| Handel. Dettingen Te Deum & Dettingen
Anthem. (HWV 283 & HWV 265, London 1743). DG-Archiv 410
647-1 (1 LP) & 410 647-2 (1 CD 1984). Simon Preston, Trevor
Pinnock, The English Concert, Choir of Westminster Abbey.
Stephen Varcoe, Christopher Tipping, Harry Christophers, Michael
Pearce.
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| Handel. Dettingen Te Deum & Dixit Dominus.
(HWV 283, London 1743 & HWV 232, Rome 1707). Arts Music 475602
(1 CD). Diego Fasolis, Ensemble Vanitas. Roberta Invernizzi,
Elena Cecchi-Fedi, Lena Lootens, Fabian Schofrin, Gloria
Banditelli, Marco Beasley, Antonio Abete, Furio Zanasi. I
haven't heard this one.
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| Handel. Semele. (HWV 58, London 1744).
Junge Kantorei, forthcoming 2008. Presumably will be reissued on
Naxos by 2010.
Details
|
Libretto with German translation (pdf). Joachim Carlos
Martini, Junge Kantorei, Barockorchester Frankfurt. Semele:
Elisabeth Scholl, soprano; Iris: Julla Schmidt, soprano; Athamas:
Ralf Popken, countertenor; Ino: Britta Schwarz, contralto; Juno:
Annette Markert, contralto; Jupiter / Apollo: Knut Schoch,
tenor; Cadmus / Somnus / High Priest: Klaus Mertens, baritone. |
| Handel. Semele. (HWV 58, London 1744).
Chandos Chaconne CHAN 0745 (3 CDs, October 2007). Christian
Curnyn, Early Opera Company. Semele: Rosemary Joshua, soprano;
Jupiter: Richard Croft, tenor; Ino / Juno: Hilary Summers,
mezzo-soprano; Iris: Gail Pearson, soprano; Athamus: Stephen
Wallace, countertenor; Cadmus / Somnus: Brindley Sherratt, bass.
What a strange and annoying recording! My Lute I Shall Adore --
it sounds like I'm sitting next to the lute (guitar in one aria)
in an alcove away from the rest of the performers. The close-miked
lute drowns out the harpsichord and even the organ and is on par
with the chorus. Joshua sings with heavy vibrato unsuited to
baroque music, but Pearson is an more extreme wobbler whose aria
sounds like a musical interlude from a 1930s movie. There are a
handful of competent movements, including "Iris Hence Away".
(The lute was near the end of its road in opera by 1744, and the
guitar never was used as a continuo instrument.) Martini's cast
on his forthcoming recording is quite promising (E. Scholl as
Semele). Ultimately, a recording by McCreesh would be much
appreciated. Update: Anthony Hicks in EMR 124: 35
(April 2008) spotted a claim in the CD booklet that the
orchestral stringing is especially historically informed in
using equal tension strings with only a minority of the players
using metal wound strings. If only these smallish HIP details
weren't overwhelmed by the HUP theorbo and guitar! This
epitomizes my response to critics who argue that it is unfair to
expect historical accuracy from early music groups. When they
market their performances with claims to be "original",
"authentic", or "historically informed", they are inviting a
high standard of scrutiny.
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| Handel. Joseph and His Brethren. (HWV
59, London 1744). Hyperion CDA 671713 (3 CDs 1996), reissued on
MHS 534922H. Robert King, The King's Consort. Asenath: Yvonne
Kenny, soprano; Joseph: James Bowman, countertenor; Potiphera /
Phanor: Catherine Denley, mezzo-soprano; Pharaoh / Reuben:
Michael George, bass; Benjamin: Connor Burrowes, treble; Simeon
/ Judah: John Mark Ainsley, tenor. Excellent recording of an
underrated oratorio.
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| Handel. Hercules. (HWV 60, London 1745).
DG-Archiv 469 532-2 (3 CDs 2002). Marc Minkowski, Les Musiciens
du Louvre. Dejanira: Anne Sofie von Otter, mezzo-soprano;
Hercules: Gidon Saks, bass; Hyllus: Richard Croft, tenor; Iole:
Lynne Dawson, soprano; Lichas: David Daniels, countertenor;
Priest of Jupiter: Marcos Pujol. Cut and reorganized, despite
ample space on 3 CDs for a complete performance. Highly
recommended -- one of Handel's greatest works in a fine
performance and recording.
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| Handel. Hercules. (HWV 60, London 1745).
Naxos 8.557960/62 (3 CDs, May 2008), reissue of 2006 release by
Junge Kantorei. Joachim Carlos Martini, Frankfurt Baroque
Orchestra, Junge Kantorei.
Libretto with German translation (pdf). Dejanira: Nicola
Wemyss, soprano; Iole: Gerlinde Sämann, soprano; Lichas: Franz
Vitzthum, countertenor; Hyllus: Kurt Schoch, tenor; Hercules:
Peter Kooij, bass.
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| Handel. Belshazzar. (HWV 61, London
1745). DG-Archiv 431 793-2 (3 CDs 1991).
Review by David Vickers. Trevor Pinnock, The English
Concert. Belshazzar: Anthony Rolfe Johnson, tenor; Nitocris:
Arlene Auger, soprano; Daniel: James Bowman, countertenor;
Cyrus: Catherine Robbin, mezzo-soprano; Gobrias: David
Wilson-Johnson, tenor; Arloch: Nicolas Robinson, tenor;
Messenger: Richard Wistreich. One of my favorites.
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CA Reissued on DG-Archiv Trio 477 037-2 (2004)
without the libretto to save DG a few cents per copy. Who can
blame consumers for making bootleg copies when the big record
companies' reissues are so often unsatisfactory? (Stanford has
posted a
Belshazzar libretto.)
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JP |
| Handel. Belshazzar. (HWV 61, London
1745). MDG 332-1079 (3 CDs 2001).
Review by Philippe Gelinaud. Peter Neumann, Collegium
Cartusianum. Belshazzar: Markus Brutscher, tenor; Nitocris:
Simone Kermes, soprano; Daniel: Patrick van Goethem,
countertenor; Cyrus: Christopher Robson, countertenor; Gobrias:
Franz-Josef Seelig, tenor; Messenger: Frank Höndge.
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| Handel. Comus. (HWV 44, London 1745).
L'Oiseau-Lyre DSLO 598 - Handel, Theatre Music Vol. II (1 LP
1982), reissued in 1994 on CD 443 183-2 with Alceste.
Christopher Hogwood, The Academy of Ancient Music. Patrizia
Kwella, Margaret Cable, David Thomas.
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JP |
| Handel. The Occasional Oratorio. (HWV
62, London 1746). Hyperion CDA 669612 (2 CDs 1995), reissued on
MHS 525075W. Robert King, The King's Consort. Susan Gritton,
Lisa Milne, James Bowman, John Mark Ainsley, Michael George.
Fine recording of an underrated oratorio.
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| Handel. Judas Maccabaeus. (HWV 63,
London 1747). Hyperion CDA 66641/2 (2 CDs 1992), reissued on MHS
5243392. Robert King, The King's Consort. Judas Maccabaeus:
Jamie McDougall, tenor; Israelite Woman: Emma Kirkby, soprano;
Israelite Man: Catherine Denley, contralto; Simon: Michael
George, bass; Priest / Messenger: James Bowman, countertenor;
Eupolemus / Messenger: Simon Birchall, bass.
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| Handel. Judas Maccabaeus. (HWV 63,
London 1747). Harmonia Mundi HMU 907077/78 (2 CDs 1993).
Nicholas McGegan, Philharmonia Baroque Orchestra. Judas
Maccabaeus: Guy de Mey, tenor; Israelite Woman: Lisa Saffer,
soprano; Israelite Man: Patricia Spence, contralto; Simon: David
Thomas, bass; Priest / Messenger: Brian Asawa, countertenor;
Eupolemus / Messenger: Leroy Kromm, bass.
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UK |
DE |
FR |
CA |
JP Reissued in June 2006 on Harmonia Mundi 1+1 HMX
2907374/75:
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| Handel. Judas Maccabaeus. (HWV 63,
London 1747). ORF Altemusik 478 (2 CDs, January 2007). Heinz
Ferlesch, Barockensemble Barucco, Wiener Singakademie. Judas
Maccabaeus: Daniel Johannsen, tenor; Israelite Woman: Cornelia
Horak, soprano; Israelite Man: Hermine Haselböck, mezzo-soprano;
Simon: Klemens Sander, bass; Priest / Messenger: Thomas Künne,
countertenor; Eupolemus: Günther Friedrich, bass.
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| Handel. Joshua. (HWV 64, London 1748).
KuK 07 (2 CDs, November 2007).
Details. Jürgen Budday, Maulbronner Kammerchor; Hannoversche
Hofkapelle. Achsah / Angel: Miriam Allan, soprano; Othniel:
David Allsopp, countertenor; Joshua: Mark LeBrocq, tenor; Caleb:
James Rutherford, bass.
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| Handel. Joshua. (HWV 64, London 1748).
MDG. To be recorded in November 2007. Peter Neumann, Collegium
Cartusianum, Kölner Kammerchor. Achsah: Simone Kermes, soprano;
Othniel: Alex Potter, countertenor; Joshua: ? Caleb: Konstantin
Wolff, bass. |
| Handel. Joshua. (HWV 64, London 1748).
Hyperion CDA 66461/2 (2 CDs 1991), reissued on MHS 5252524.
Robert King, The King's Consort. Achsah: Emma Kirkby, soprano;
Othniel: James Bowman, countertenor; Joshua: John Mark Ainsley,
tenor; Caleb: Michael George, bass; The Angel: Aidan Oliver,
treble.
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| Handel. Alexander Balus. (HWV 65, London
1748). Hyperion CDA 672412 (2 CDs 1997), reissued on MHS
525270Y. Robert King, The King's Consort. Alexander Balus:
Catherine Denley, Ptolomee: Michael George, Jonathan: Charles
Daniels, Cleopatra: Lynne Dawson, Aspasia: Claron McFadden.
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| Handel. Susanna. (HWV 66, London 1749).
Harmonia Mundi HMU 907030/32 (3 CDs 1990). Nicholas McGegan,
Philharmonia Baroque Orchestra. Susanna: Lorraine Hunt, An
Attendant / Daniel: Jill Feldman, Chelsias / Judge: William
Parker, Joacim: Drew Minter, 1st Elder: Jeffrey Thomas, 2nd
Elder: David Thomas.
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| Handel. Susanna. (HWV 66, London 1749).
MDG 332 0945-2 (3 CDs 2000).
Review by Jonathan Keates. Peter Neumann, Collegium
Cartusianum. Susanna: Elisabeth von Magnus, Joachim: Sytse
Buwalda, Attendant / Daniel: Ruth Holton, 1st Elder: John Elwes,
2nd Elder / Chelsias: Tom Sol.
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| Handel. Solomon. (HWV 67, London 1749).
DG-Archiv 459 688-2 (3 CDs 1999). Paul McCreesh, Gabrieli
Consort. Solomon: Andreas Scholl, countertenor; Solomon's Queen:
Inger Dam-Jensen, soprano; First Harlot: Alison Hagley, soprano;
Second Harlot: Susan Bickley, mezzo-soprano; Queen of Sheba:
Susan Gritton, soprano; Zadok, the High Priest: Paul Agnew,
tenor; A Levite: Peter Harvey, bass. IMHO, the best recording of
a Handel oratorio. It would have been even better without the
wobbly Solomon's Queen.
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JP |
| Handel. Solomon. (HWV 67, London 1749).
Harmonia Mundi HMC 90149/50 (2 CDs, October 2007). Daniel Reuss,
Akademie für Alte Musik Berlin, RIAS Kammerchor. Solomon: Sarah
Connolly, contralto; Solomon's Queen: Carolyn Sampson, soprano;
Queen of Sheba: Susan Gritton, soprano; Zadok, the High Priest:
Mark Padmore, tenor; A Levite: David Wilson-Johnson, bass.
Clearly inferior to McCreesh's fine recording. Some of the fast
movements are taken at lightening speed, and overuse of organ
continuo mars many arias.
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| Handel. Solomon. (HWV 67, London 1749).
Carus 83.242 (3 CDs, September 2007). Nicolas McGegan, Göttingen
Festpiel Orchester. Winchester Cathedral Choir, Andrew Lumsden,
director. Solomon: Tim Mead, countertenor; Solomon's Queen /
First Harlot: Dominique Labelle, soprano; Queen of Sheba /
Second Harlot: Claron McFadden, soprano; Zadok, the High Priest:
Michael Slattery, tenor; A Levite: Roderick Williams, bass;
Servant: William Kendall, tenor. Time = 157'.
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| Handel. Foundling Hospital Anthem (HWV
268, London 1749) and Coronation Anthems. Argo 4409462 (1
CD 1994). David Hill, Brandenburg Consort, Winchester Cathedral
Choir. Gillian Fisher, Libby Crabtree, Charles Brett, John Elwes.
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DE |
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JP |
| Handel. Alceste. (HWV 45, London 1750).
L'Oiseau-Lyre DSLO 581 (1 LP 1980), resissued in 1994 on CD 443
183-2 with Comus. Christopher Hogwood, The Academy of
Ancient Music. Emma Kirkby, Judith Nelson, Margaret Cable, Paul
Elliott, David Thomas.
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| Handel.
Theodora. (HWV 68, London 1750). DG-Archiv 469 061-2 (3 CDs
2000). Paul McCreesh, Gabrieli Consort. Theodora: Susan Gritton,
soprano; Irene: Susan Bickley, contralto; Didymus: Robin Blaze,
countertenor; Septimius: Paul Agnew, tenor; Valens: Neal Davies,
bass; Messenger: Angus Smith.
My
comparison with Christie's recording. Another superior
production by Paul McCreesh et al. Probably the second best
recording of a Handel oratorio, after his recording of
Solomon.
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| Handel.
Theodora. (HWV 68, London 1750). Erato 0927431812 (3 CDs).
Recorded in May 2000, release date July 2003.
Favorable review by Les Robards. William Christie, Les Arts
Florissants. Theodora: Sophie Daneman, soprano; Irene: Juliette
Galstian, contralto; Dydimus: Daniel Taylor, countertenor;
Septimius: Richard Croft, tenor; Valens: Nathan Berg, bass. Also
a very fine recording, but with more intimate sound than
McCreesh.
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| Handel. The Choice of Hercules. (HWV 69,
London 1751). Plus Hearken Unto Me, Ye Holy Children by
Maurice Greene. Hyperion CDA 67298 (1 CD 2002), reissued on MHS
5168536 (2003).
Details. Robert King, The King's Consort. Pleasure: Susan
Gritton; Virtue: Alice Coote; Hercules: Robin Blaze; An
Attendant on Pleasure: Charles Daniels. Additional soloist in
the Greene anthem: Peter Harvey, bass.
Sleeve notes by Anthony Hicks.
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| Handel. Jephtha. (HWV 70, London 1752).
2003 Göttingen Handel Festival production. Nicholas McGegan, The
English Concert, Winchester Cathedral Choir. John Mark Ainsley,
Dominique Labelle, Wilke te Brummelstroete, Franz Vitzthum,
William Berger, Netta Or. Available from the
German Handel Society. |
| Handel. Jephtha. (HWV 70, London 1752).
Berlin Classics BC 1057-2 (3 CDs 1994). Marcus Creed, Akademie
für Alte Musik Berlin. Jephtha: John Mark Ainsley, Zebul:
Michael George, Storgè: Catherine Denley, Iphis: Christiane
Oelze, Hamor: Axel Köhler, Angel: Julia Gooding. Unreadable,
tiny print in the Berlin Classics brochure.
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JP Reissued on Brilliant Classics 99956:
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| Handel. Jephtha. (HWV 70, London 1752).
Philips 422 351-2 (3 CDs 1989). John Elliot Gardiner. English
Baroque Soloists. Lynne Dawson, Ruth Holton, Anne Sofie von
Otter, Michael Chance, Nigel Robson, Stephen Varcoe.
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JP Reissued in 2008.
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| Handel. The Triumph of Time and Truth. (HWV
71, London 1757). Hyperion A 66071/2 (2 LPs 1983), reissued on
MHS 824891M (2 LPs). Reissued on CD as Hyperion CDA 66071/2.
Denys Darlow, London Handel Orchestra. Beauty: Gillian Fisher,
Deceit: Emma Kirkby, Counsel, or Truth: Charles Brett, Pleasure:
Ian Partridge, Time: Stephen Varcoe.
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JP Reissued in 2005 on Hyperion CDD22050.
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|